In the Dining Room
Mike dances confidently through the packed dining room, as he weaves amongst the conversational hum with silent feet. He sidesteps a team of servers, who engulf a table of four as they gingerly set down their entrees in unison. The pink juice of carefully sliced wagyu beef melts into the blood red ring of beets on a sparkling ceramic canvas. The diner’s eyes grow wide and their lips curl into a smile as they’re submerged in a bath of rich French fragrances. With each bite, their stomachs grow beneath pressed button downs and black dresses. A table over, a man is down on one knee, as his new bride to be chokes back tears between sips of champagne. Curious patrons look on, but Mike pays no mind as he refills glasses at the next table. He doesn’t spill a drop.
Mike was midway through his junior year at Tulane when he started part-time at August. He was three years removed from his only prior experience in the restaurant industry, a position working various jobs in a café bakery. He had always been interested in cooking, and regularly cooked for himself and friends. At August, Mike was tasked with mundane but necessary jobs like peeling potatoes and carrots. Without a car of his own, he was forced to rely on friends, and more often than not, the streetcar. After a sweaty summer in the kitchen, Mike decided the life of a chef wasn’t for him. While he insists that the overall atmosphere of the workers in the restaurant is that of a close-knit community, the chefs maintain a more competitive nature. At his request, Mike was able to take on the position of a food runner, a job with better hours and pay, where he split his time between the kitchen and the restaurant floor. His main responsibility was to deliver finished plates from the kitchen to the dining room tables.
After a year running back and forth from kitchen to the table, Mike was promoted to back waiter, his current position. The back waiter rests near the bottom of the complex fine dining hierarchy. While the servers, career men and women, talk to tables, take orders, and pour wine, Mike’s sets out bread, refills water, clears dishes, and makes sure the food comes out on time. He usually takes care of 4-8 tables at a time, which comes to around 40 people. While his official hourly wage is around $3, once tips are added, his real pay comes out to around $20 an hour. It’s a substantial amount more than those who work in cheaper digs, like the Popeyes down the road, due to the large tips that accompany pricey meals and given that the median hourly wage in Louisiana is $8.56. (“Louisiana – May 2014 OES State Occupational Employment and Wage Estimates.” U.S. Bureau of Labor Statistics. Accessed October 25, 2015. http://www.bls.gov/oes/current/oes_la.htm#35-0000). Mike usually works four shifts a week, which provides him with enough money to cover all of his expenses and put a portion of each check in savings. The pay is a welcome difference from friends trying to earn livings as musicians and writers. According to the 2012 State Of The New Orleans Music Community Report, the average musician in New Orleans earns $17,800 a year, with 39% making less than $10,000.(Ramsey, Jan. “Sweet Home: 2012 State of the New Orleans Music Community Report.” OffBeat Magazine. Accessed November 26, 2015. http://www.offbeat.com/news/sweet-home-new-orleans-releases-2012-state-new-orleans-music-community-report/). Financial stability can be a fair trade off for creative freedom in the workplace.